Materialien In München arbeiten gegenwärtig mindestens 3 oppositionelle Künstlergruppen: 1. Die Hochschulgruppe Sozialistischer Kunststudenten. Stadtgeschichte München - ein Rückblick aus dem Jahr Stand: | Archiv |Bildnachweis. Um Videos oder Audios abzuspielen, benötigen. Josef Schmid (* September in München) ist ein deutscher Wirtschaftsjurist und Politiker (CSU). Er war von 1. Mai bis 4. November zweiter.
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Amougirs, Belgium, this was now a three hour drive east of Paris, but 20, people attended the event over the five day period, despite the seasonal cold, damp and foggy weather.
It was really miserable, a few tents and the people began to show up out of nowhere. There was a tent that was held up by steel guiders and it held 15, freezing cold people, it was the most miserable circumstances that you could imagine.
The kids who came there had their sleeping bags with them, and they were sleeping through…they were just in this laying on the ground, sleeping while the music went on around the clock, with all these different groups…and it was also being filmed.
The people in charge turned on the PA public-address — system and to their surprise it worked. Next they turned on the lights and surprise once again, they also functioned properly.
Then the groups actually began to play and by God, they had a Pop festival in the works, and then they looked at it and realized that they had to keep it going for five complete days.
Except there was one major problem, they failed to inform me that the audience spoke only French, and I only spoke English, what kind of help could I be.
On top of this, the amplifiers that were around for everyone to us, kept blowing up or messing up all the time.
Credit has to be given to Jean Karakos who did one hell of an excellent job getting it all together on such short notice. Despite the massive setback, the festival also drew a considerable amount of publicity than it might otherwise have had.
It was a considerable success for Karakos, enabling him to finance his BYG record label. But overall a financial disaster, later on the record label went underground.
This was due to the fact that this festival was happening one year after the violent student riots that took place in May of The Actual Festival was scheduled to be held in central Paris and the last thing the French authorities wanted was a Woodstock type festival where tens of thousands of youth would be congregating in the heart of the city.
But on the positive side, quite a lot of good music was made there, and there were some very interesting jams. It also provided opportunities for many of the new jazz musicians to play in front of a large and enthusiastic audiences.
The Missing Film Footage: Said Frank Zappa in France In a conversation with the film maker, he was more than a little reluctant to discuss the situation, choosing instead to side-step the entire issue.
Although there is some rare surviving film footage of Spooky Tooth and Caravan from this time period. The group is now making a cross-country tour on the heels of their fourth and most successful album, Ssssh.
This is another rare photo, four happy musicians, that are friends as well. Ten Years After and Led Zeppelin are two of the really giant acts in this calibre.
Ten Years After are in the high income bracket as far as U. Leader Alvin Lee points out: But the emphasis is on the heavy stuff. But with an English band they see them in a different light.
Zeppelin have got it together. But as far as success with on-the-road bands I can only think of Zeppelin and us.
It would be easier using an Ampex 8 track, for instance—then I could do the same with a lot less trouble, whereas it takes me a whole evening to set up to record a backing track, an Ampex would be easier.
Then, when I get together in the studios with the group and play it to them, not only does it give them a basic, it also gives them a feel and an atmosphere.
I want them to go along with the atmosphere, so everyone can contribute to the atmosphere rather than just contribute chord-wise and just play.
Did he find the task difficult? He takes the band and presents their music to the audience in a way he knows the audience will accept.
So I can say to an engineer I want a guitar sound that kind of goes like this and like that—and how about coming in here, and the engineer knows where to put his fingers to get as near to it as possible.
But engineers lean towards being producers. But with a band like ourselves, we want to produce it our way. An engineer should just physically look after the controls.
Roy I think is really very good. What I want to do, this is my burning personal ambition, is to have my own studio.
In many ways it will be unconventional as studios tend to be a general compromise. It would be strictly on a hobby, kind of personal level.
But these channels are somewhat closed down. There are bands that are struggling on the breadline. What I want to do is to have them in the studio for two or three weeks and get to know them personally and find out what they want to create.
They have earned their position in one way only, by their devotion to their music. Without mass exposure on television and Radio-One, they have become chart topping album sellers and one of the most important groups in England today.
The honestly of their approach has led to their having tracks, such as. Thus today, with artists who are appreciated for their musical validity and originality, Ten Years After hold a unique position on both sides of the Atlantic.
Leo Lyons bass , Chick Churchill organ and Ric Lee drums , are also musicians with an individual talent and loyal following. They each contribute as a unit whose heavy exciting sounds we shall hear this evening.
Ten Years After — Live on stage, work hard to create that atmosphere of excitement. That they continue to develop musically, is an indication of the reservoir of talent within them that that is still being tapped.
At each of the Chrysalis concert tours this year, we have presented a good but relatively little known act in Britain as the bill opener.
These have included Blodwyn Pig, Clouds and Terry Reid, each of whom has enjoyed increasing success following the tours.
Although the group only got together in London at the end of October, they are no newcomers to the music business.
With the exception of Colin, the band are all from Scotland. The band is finding it very easy writing material for their act and a prime example of their togetherness is the recently recorded song,.
Within a week of formation, they were on the road and playing six or seven nights a week. Since that time, they have knitted together to such an extent, that their second album promises to be quite a musical adventure.
With no time for even a few days of rest, Blodwyn Pig were appearing extensively on the Continent, toured on a Nationwide Concert Tour with Led Zeppelin, appeared at several major festivals, including The Bath Festival, The Plumpton Festival and The Isle of Wight Festival, and then flew to America where they enjoyed immediate success.
Although their success was immediate, it was deservedly so, for they have seen some pretty lean times prior to Mick Abrahams has been playing guitar professionally for almost six years and although the fruits of his labours have paid off, five of those years were spent in near poverty.
The fact that he continued to play the type of music he considered worthwhile during the days of teeny-bopper domination, is a credit to his perseverance and belief in the intelligence of the British music enthusiast.
Mick was pleased to gather such a talented team around him, musicians with the same approach and similar musical ideas to himself. Multi-instrumentalist Jack Lancaster is rated as one of the most versatile of all British musicians, and Andy Pile bass and Ron Berg drums help to make Blodwyn Pig the force they are today.
On the formation of the band, Mick Abrahams comments: Jack Lancaster I knew from when I used to live on Manchester. Ten Years After covered a lot of ground in Ten Years After have just returned from another highly successful tour of America.
The groups fourth album is high in the British L. Background info for groupies and others. The interview has been ruthlessly edited, due to the fact that it lasted about two and a half hours, and was interrupted by phone calls, parcels arriving and a very welcome tea-break.
How did Ten Years After begin? We originally came from Nottingham and moved up to London about four years ago. Ten Years After started about three years ago.
Ric joined us, and we began doing backing and session work. Then we got Chick Churchill, so we decided to give up that trip and play something else.
We started Ten Years After and that surprisingly enough, is when we started to make some money. Well there was one but……….
Yes, but they more or less released that without our knowing. Can you stand it for months on end? After a while I want to get back home.
Because of the travelling, or the people? You think that America has trouble spots in a few places then?
I think it is a hole! Did you see Easy Rider? Yes, I enjoyed the film as an extreme. Oh yes; it was reprehensive as an extreme. It put forward a general feeling of a percentage of people in America.
They amplified it to put a point over, in other words. The underground is exceedingly so there. Yes, but youth is more united there.
A lot of them are mock skinheads, just following a fashion. No-one ever admits it, people are just called it. Do you mean people like squatters?
Yes, they have these communes in the States. People go out into the desert and build huts and things. They might look and dress the same but the difference is in the attitudes.
Oh, was an extremist thing. The difficult thing is that everybody is forced to take sides. What do you think of the underground pop press in general?
Covering Up I think you got a worse one in Time Out actually. Oh, we get some real stinkers. We go home and everybody takes offence. One guy came round to interview us, and about sixteen people came round and scored off him.
Perhaps wrongly, but I associate that with IT for a long time. Then there was the time we did an interview with Rolling Stone. A guy came in like, very heavy and matter of fact.
Plus the fact that they like to be heavy. This guy was trying really hard, and we were sending him up a bit. Ever since, Rolling Stone has been really down on us in the States.
I think people who are intellectual enough to know what, they want, make up their own minds anyway. That seems to have ruined the whole idea of doing an interview.
Which groups turn you on? Oh, a very mixed bag really. Did any of the bands impress you at the recent Belgian pop festival you played? By the time we played it, was about half past two in the morning and the whole audience had been completely battered by these avant- garde jazz bands, that went on before us.
The drummer was hitting everything in sight, with no timing and the sax player, had the microphone right down his sax, It made a terrible row.
All horrible harsh sounds. Was the concert open air? Amazing really, it was about half the size of a football field. We jammed with Zappa in Brussels while we were there.
What did you make of him as a person? He is in fact pretty straight. Like more of a business head type. Never taken any dope in his life. Do you find much problem in Europe with the language barrier?
We did the first number and they all started slow-hand-clapping, and we thought they were telling us to piss off, or something.
It was only later that we found out that it was their way of saying something was groovy. As for the language barrier, most of them on the continent speak a little English.
All the English sounds get in the charts. The English are very lazy with languages on the whole. What is the most interesting gig you have played?
It was like an underground world, everything was there but completely cut off — you know — tents, water, supplies — just everything.
We had to fly in by helicopter. How did you go down: It was nearly a disaster. We went on, started a number, and we were miles out of tune. So we had a quick tune-up, started again, and it was even worse.
We stopped, fiddled around, restarted and it was worse again. One station in New York banned us. Unreliable citations may be challenged or deleted.
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